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I found Spawn 112 (Affiliate Link) in a comic value pack and boy am I glad I did! Spawn encounters an army of 777 vampires or something, seeking out sinners to taste their blood. Of course, he intervenes and does serious damage.
Spawn 112 opens with the evil army surprising people in New York City. To their dismay, there were no sinners… no doubt something Spawn is responsible for. When a battle is anticipated, Central Park is shut down while the 777 vampires are encountered.
This is where the good stuff happens. Naturally, Spawn performs all sorts of violence, including punching someone’s face in (literally) and swinging an entire tree around to create ultimate destruction.
Near the end of Spawn 112 contains a sentimental September 11th drawing of firefighters putting up an American flag at ground zero. For those of you who are too young to know what that means, there was a year, 2001, where people had an undeserved sense of patriotism. Now that the time has passed, people can see how dumb they were acting. Either way, it dates the comic and shows how long the series has been running for.
If you do not know about Spawn (or or a fan already) you should start by browsing the legacy collection of issues. Spawn 112 is just one of many great issues for this awesome character that people have grown to love.
Why the Spawn Vampire Battle in Spawn 112 Comic Is Peak 2000s Chaos
The Spawn vampire battle in Spawn 112 comic isn’t just another supernatural showdown. It’s a time capsule of early 2000s comic book excess, complete with bloodthirsty monsters, over-the-top violence, and a post-9/11 emotional gut punch that dates the issue in the most surreal way possible.
Let’s start with the setup: 777 vampires descend on New York City, hunting for sinners like it’s a buffet. But thanks to Spawn’s recent moral cleanup campaign, they find slim pickings. That’s when things get messy. Central Park becomes a war zone, and Spawn goes full mythic monster-slayer: swinging trees like baseball bats and literally caving in faces. It’s not subtle, but it’s gloriously unhinged.
What makes this issue stand out isn’t just the carnage, though. It’s the tonal whiplash. One minute you’re watching Spawn obliterate a vampire horde, the next you’re staring at a solemn tribute to 9/11 with firefighters raising the flag at Ground Zero. That kind of emotional pivot is jarring, but it also captures the strange cultural moment comics were navigating in the early 2000s: trying to balance escapism with national trauma.
And while Spawn 112 might not be the most famous issue in the series, it’s a perfect example of what made the title so compelling: unapologetic violence, moral ambiguity, and a willingness to swing wildly between spectacle and sincerity. If you’re into vampire battles with a side of existential dread, this one’s worth digging out of the longbox.